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Film |
Which bit? |
What is it good for? |
Where can it be obtained? |
Recommended by? |
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Dead Poets Society |
· Carpe Diem at the beginning · “Rip” section · Jumping off the desk · Funny walks in the quadrangle |
· Seize the day, What is education really about? · The principles of assessment. Good teaching · seeing things from a different perspective · Everyone is different |
Commercially |
Roland, Jonas |
|
La vie est bella (Life is Beautiful) |
· Beginning, a Jew in Rome · 1/3 way in, prison barracks |
· Absence of prejudice · We hear what we want to |
Commercially |
Roland |
|
Educating Rita |
2/3 way in, Rita comes back from her course |
The learner outgrows the teacher |
Commercially |
Roland |
|
JoHari Window |
All the way through |
Intro to the concepts and use of JoHari |
From Jonas, Roland |
Roland Jonas |
|
Master & Commander |
2/3 way in, conversation between Doctor Stephen and the Master |
The nature of Leadership (one view!) |
Commercially |
Roland |
|
Lord of the Rings 1 |
Council of Elrond |
At the beginning of meetings, courses, etc, people come together with their own stories and journeys |
Commercially |
Roland |
|
Full Monty |
½ way, an attempt to teach them to dance |
Recruit the learners themselves, and their ideas, if you want them to learn something |
Commercially |
Roland |
|
Creature Comforts |
The first scene, of animals in the zoo talking about their experiences |
Fun, light-hearted. Everyone is different |
Bitty, and commercially |
Roland Bitty |
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Chicken Run |
The bit in the shed where they are trying out the catapault with the turnip. |
Trying different ways of doing things and not giving up if it doesn't work at first |
Commercially |
Katharine |
|
Ground Hog Day |
Choose any scene that shows repetitive nature |
metaphor for how we can live our lives day to day with no significant change |
Commercially |
Jonas |
|
Don Juan de Marco |
Scene near start where psychiatrist talks Juan off roof top by pacing him (entering his map of the world) |
whole movie is marvellous comment on the map is not the territory.
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Commercially |
Jonas |
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Truly Madly Deeply |
|
Romantic comedy that also conveys in metaphor how the mind holds onto the deceased loved one |
Commercially |
Jonas |
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Good Will Hunting |
Second meeting of psychiatrist and Will
|
Explains the difference between a ‘declarative’ and a ‘functioning’ knowledge of life and love. |
Commercially |
Jonas |
|
It’s a Wonderful Life |
Where Clarence, George Bailey’s Guardian angel, jumps into the river to save George from suicide. |
Living an ‘ordinary’ life to your values and principles has a ripple effect. Jonas |
Commercially |
Jonas |
|
The Doctor |
Scene when surgeon has his students undergo themselves the investigations they order for their patients |
Insensitive surgeon changes perspective when he develops cancer.
|
Commercially |
Jonas |
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One Flew over the Cuckoo's Nest |
Whole movie |
Abuse of power |
Commercially |
Jonas |
|
The Big Chill, The Accidental Tourist, Grand Canyon |
Films of Lawrence Kasdan |
Human relationships |
Commercially |
Jonas |
|
A Horizon programme |
Richard Fenyman describing visual perception followed by Marvin Minskey’s comments: |
· How going back to a childlike simplicity facilitates creativity · map and territory (there is no one correct way of representing things’) · flexibility of approaches |
From Jonas from BBC |
Jonas |
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David Copperfield |
Scene when David is told of Mother’s death
|
Stimulus to discuss the who, when and where of breaking bad news. |
BBC Films Jonas |
Jonas |
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Obedience |
Any scene that demonstrates the ‘teacher’ going on to administer a potentially lethal electric shock when given permission by the ‘scientist/experimenter’ in charge.
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Shocking, in at least two senses of the word, portrayal of how most of us are capable of committing terrible acts against our fellow men |
British Universities Film & Video Council & Jonas |
Jonas |
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Five Steps to Tyranny |
BBC Documentary |
As above, a warning about our tendency to obey figures of authority in an unthinking way - as a step towards serious human rights abuses |
Jonas |
Jonas |
|
Don’t Move |
ITV Documentary. Out-take from ‘It Will Be Alright on the Night’ Director requests/demands/implores actor to say lines without moving his head. |
About deep and surface structure to communication |
Jonas |
Jonas |
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The Beginning |
A Wiggleman Video - a 10 mins cartoon |
Creativity |
Jonas, Shake |
Jonas |
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The Wee Kirkudbright Centipede |
by "Singing Kettle” !! |
Demonstrates unconscious competence |
|
Eileen |
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Mr Deeds Goes to Town |
A bit at the end of the original film |
About personal responsibility and integrity |
|
Eileen |
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Bambi |
There's the bit where Bambi learns to walk with the aid of "thumper"……… |
…..his mentor |
|
Eileen |
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Galaxy Quest |
There's a bit in Galaxy quest where people "act as if" and … |
….prove themselves heroes. |
|
Eileen |
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Captain Corelli’s Mandolin |
First and last 5 minutes, esp the scene with the pea in the ear |
A sideways look at communicating and getting the best out of people |
Commercially |
Veronica |
|
Amelie |
Where she turns to water as her chap leaves the restaurant without knowing who she is |
recognising insecurities, non verbal communication |
Commercially |
Veronica |
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Iris |
Funeral scene |
Different perspectives of illness – viewed by the individual, spouse, family, friends, etc |
Commercially |
Veronica |
|
Four Weddings & a Funeral
|
Wedding scene when deaf brother has to speak for groom |
Facilitation and articulation of our thoughts may be needed to take action |
Steve or any video shop |
Steve |
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Rock School |
2/3 of way through when one of the pupil gives ‘too’ honest feedback
|
Requesting and receiving feedback |
Commercially |
Steve |
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Rain man |
Half way through when Raymond counts toothpicks dropped on floor |
Making assumptions – not all talents are immediately obvious
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Commercially |
Steve |
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Regeneration
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Interview technique used by Capt. Rivers with Billy Prior or Siegfried Sassoon
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Art of facilitation in bringing self-awareness; how to use reflective questioning |
Commercially |
Steve |
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Amadeus
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Scene 10 – Austrian Emperor tells Mozart that his work is almost perfect but has ‘too many notes’
|
Value judgements about ‘good’ and ‘bad’ |
Commercially |
Steve |
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Butch Cassidy and the Sundance Kid |
As they ride back to
their Wyoming hide-out (the infamous 'Hole in the Wall' concealed in
rugged canyons) before rock formations, the film slowly becomes
full-colour. When they reach a valley floor and guide their horses
through a small stream as they draw near to the entrance, Butch
exclaims:
“Boy, y'know, every time I see 'Hole in the Wall' again, it's like seeing it fresh for the first time, and every time that happens, I keep asking myself the same question, 'How can I be so damn stupid as to keep comin' back here?'”
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The cycle of experience and learning |
Commercially |
Mark |
|
Butch Cassidy and the Sundance Kid |
In the “knife fight” between Butch and Harvey. All in the negotiation - and Butch tricks Harvey |
Importance of honest contracting, in appraisals, mentoring, and any learning situation |
Commercially |
Mark |
|
Annie Hall |
The monologue at the very beginning… Woody speculates on his life, what he’ll be like when he’s older, and reviewing his experiences… “And I keep asking myself – where did the screw-up come?” |
Learning is about finding meaning in our lives |
Commercially |
Mark |
| Saving Private Ryan | 58 minutes in when they "Break Bad News" to Private Ryan - straight to the point- "all your brothers are dead" - and to the wrong Private Ryan. | Example of Breaking Bad News, spectacularly badly done. | Commercially | Michael |